Review: ART BLOG ART BLOG

Photo: Can I Get a Witness, 2011, at ART BLOG ART BLOG. Photo courtesy of Brandon Mitchell.

ART BLOG ART BLOG, organized by Joshua Abelow, consisted of 10 exhibitions from May 13 through October 29, 2011, in New York.

The democratization of power in the New York art world is a direct result of young artists and curators self-publishing on the Internet using blogs and social media. This phenomenon has never been more visible as when artist Joshua Abelow turned his blog, ART BLOG ART BLOG, into an alternative exhibition space in Chelsea. The result was comparable to any other major commercial venue in the area; Abelow mounted a rigorous schedule of ten exhibitions from May to October 2011, and so, an opening approximately every two weeks.

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Review: Jeremy Shaw Best Minds at MoMA PS1

Photo: Can I Get a Witness, 2011, at ART BLOG ART BLOG. Photo courtesy of Brandon Mitchell.

Jeremy Shaw’s solo exhibition Best Minds, organized by Klaus Biesenbach, was on view at MoMA PS1 in Long Island City, Queens, New York from September 10 through October 10, 2011

A curious room-sized 3-channel video surrounds the viewer in the eerie green-black light found in night-vision goggles and video surveillance in Canadian-born artist Jeremy Shaw’s Best Minds at MoMA PS1. The grainy images taken with a handheld camcorder recall Nauman’s multichannel video surveillance of his studio at night, and are paired with the slow, ambient The Disintegration Loops, 2002, sound recordings of deteriorating tape reels, composed by William Basinski.

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Review: Lee Ufan Marking Infinity

Photo: David Heald © Solomon R. Guggenheim Foundation.

Lee Ufan breaking the glass for Relatum (formerly Phenomena and Perception B), 1968/2011, during installation of Lee Ufan: Marking Infinity at the Solomon R. Guggenheim Museum, New York, June – September 2011.

On view at the Guggenheim, the Korean-born Japanese artist-philosopher Lee Ufan’s work asserts a quiet beauty, a perfection of formal arrangement, and a deep belief in contemporary art’s power to make meaning — even spiritual meaning.

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Why Criticism is Not Bad

Brent Owens, This Better Be Fuckin Good, 2010. Oak, enamel, paint, auto lacquer.

I was taught in art school that criticism was not only the most useful tool in art, but that it was also the most highly-desired outcome of any form of creative production. Without criticism, our work exists in a vacuum and lacks meaning and impact. Criticism confirms out work’s significance for the larger society and culture to which we are trying to contribute. Plainly, it makes us better artists and writers.

I was very surprised to find that this was up for debate.

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Artists in Bushwick

View from Bushwick Open Studios 2011. Photo by the author.

At first glance, Bushwick looks like a collection of random, disconnected artists from all over the country who came to New York to “make it.” They came to this neighborhood for its abundance of available studio space, and a community developed organically simply because of proximity.

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